Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970

dc.contributor.authorCHARLES KIRSCHBAUM
dc.coverage.cidades.l.pt_BR
dc.coverage.paisNão Informadopt_BR
dc.date.accessioned2022-10-11T23:38:57Z
dc.date.available2022-10-11T23:38:57Z
dc.date.issued2008
dc.description.notesTexto completo. Data conforme controle interno.pt_BR
dc.description.otherRecent research in institutional process has evoked the role of power and interests. Through discourse, actors reproduce domination. Throughout this paper, I analyse the web of discursive justifications deployed by Down Beat editors to justify its critics's poll, along the period from 1953 to 1970. I argue that DB attempted to mimic a democratic forum, but faced fierce condemnation to its poll from critics and artistis. I characterize Down Beat's rhetoric under the frame of symbolic violence proposed by Bourdieu. I conclude this article on a discussion on a symbolic appropriation and collusion, which might occur in tandem with institutional effort.pt_BR
dc.format.mediumFísicopt_BR
dc.identifier.issue15541pt_BR
dc.identifier.urihttps://repositorio.insper.edu.br/handle/11224/4258
dc.language.isoPortuguêspt_BR
dc.rights.licenseO INSPER E ESTE REPOSITÓRIO NÃO DETÊM OS DIREITOS DE USO E REPRODUÇÃO DOS CONTEÚDOS AQUI REGISTRADOS. É RESPONSABILIDADE DOS USUÁRIOS INDIVIDUAIS VERIFICAR OS USOS PERMITIDOS NA FONTE ORIGINAL, RESPEITANDO-SE OS DIREITOS DE AUTOR OU EDITORpt_BR
dc.subject.keywordsOrganizational fieldpt_BR
dc.subject.keywordscreative industriespt_BR
dc.subject.keywordsBourdieupt_BR
dc.subject.keywordsinstitutionalismpt_BR
dc.subject.keywordsjustificationpt_BR
dc.titleMimicking a public sphere: down beat and jazz critic’s polls, 1953-1970pt_BR
dc.typeworking paper
dspace.entity.typePublication
local.subject.cnpqCiências Sociais Aplicadaspt_BR
local.typeWorking Paperpt_BR
relation.isAuthorOfPublication6a78e139-d40f-41eb-b258-6922f24afda5
relation.isAuthorOfPublication.latestForDiscovery6a78e139-d40f-41eb-b258-6922f24afda5

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