Co-Constitution of Protest Repertoires and Performances through Protest Cycles

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dc.contributor.authorCHARLES KIRSCHBAUM
dc.contributor.authorAlonso, Angela
dc.coverage.cidadeVienapt_BR
dc.coverage.paisÁustriapt_BR
dc.creatorAlonso, Angela
dc.date.accessioned2022-12-06T23:55:58Z
dc.date.available2022-12-06T23:55:58Z
dc.date.issued2016
dc.description.notesEvidênciapt_BR
dc.description.otherExtant literature on social movements and protests has stressed the need for incorporating relational mechanisms in order to explore how actors, practices and repertoires co-evolve as protests unfold (Tilly, 2007). This paper establishes a dialogue with the current literature by proposing a methodological approach to tackle the relational dynamics among actors and repertoire. Rather than assuming relationships as ex-ante and given to the protest cycles, or conceiving the protest repertoire as given and bounded in a ‘tool box’ (Swilder, 1986), we suggest that relationships among actors and mobilized repertoire co-evolve. Social actors might engage in specific performances not only to promote their protest, but also to distinguish them from other counterparts. Conversely, joint events that involve a wide range of social actors might lead the former to silence specific performances that could put in jeopardy the contingent coalition. Further, the emergence of not-predicted forms might set social actors against each other. In order to explore these dynamics, we explore the protest cycles that took place in Brazil, during the month of June of 2013. We built a unique database of protest events, comprising around 800 events collected from newspapers (i.e. Malinicka, Tindall & Diani, 2013). Each event was codified and includes (inter alia) actors involved, form of action, form of repression, action target (Franzosi, 2004). The relationship between actors and forms of action constitute a longitudinal affiliation network. The evolution of performance network is formalized, yielding ‘protest grammars’ (Mohr & Rawlings, 2010), while the network among actors provide a glance at the evolution of coalitions (McAdam & Fligstein, 2012). Actor-based modeling (i.e. Siena) is applied in order to model the co-evolution of this network’s two modes.pt_BR
dc.format.mediumDigitalpt_BR
dc.identifier.urihttps://repositorio.insper.edu.br/handle/11224/4816
dc.language.isoInglêspt_BR
dc.publisherNão localizadopt_BR
dc.rights.licenseO INSPER E ESTE REPOSITÓRIO NÃO DETÊM OS DIREITOS DE USO E REPRODUÇÃO DOS CONTEÚDOS AQUI REGISTRADOS. É RESPONSABILIDADE DOS USUÁRIOS INDIVIDUAIS VERIFICAR OS USOS PERMITIDOS NA FONTE ORIGINAL, RESPEITANDO-SE OS DIREITOS DE AUTOR OU EDITORpt_BR
dc.subject.keywordssocial movementspt_BR
dc.subject.keywordsrelational dynamicspt_BR
dc.subject.keywordsmethodological approachpt_BR
dc.titleCo-Constitution of Protest Repertoires and Performances through Protest Cyclespt_BR
dc.typeconference paper
dspace.entity.typePublication
local.description.event3rd ISA Forum of Sociology - July 10-14, 2016pt_BR
local.identifier.sourceUrihttps://isaconf.confex.com/isaconf/forum2016/webprogram/Paper80593.html
local.subject.cnpqCiências Sociais Aplicadaspt_BR
local.subject.cnpqMultidisciplinarpt_BR
local.typeTrabalho de Eventopt_BR
relation.isAuthorOfPublication6a78e139-d40f-41eb-b258-6922f24afda5
relation.isAuthorOfPublication.latestForDiscovery6a78e139-d40f-41eb-b258-6922f24afda5
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