Artigos em Andamento [Working Paper]
URI permanente desta comunidadehttps://repositorio.insper.edu.br/handle/11224/3232
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Working Paper A ‘Nested Narratives’ Project: theoretical grounding and methodological implications(2013) CHARLES KIRSCHBAUMNarratives have been conceptualized and approached in a variety of forms in the social sciences, including ‘narrative-as-explanations’ towards ‘narratives-as-ontologies’. At this paper I explore the extent that narratives are central for understanding the ‘projective agency’ and suggest that narratives as ontologies are nested and overlapped with public/institutional narratives. This review offers a set of ‘desiderata’ that are later taken on in order to assess current methodological approaches and analytical procedures, including how the ‘narrative as network’ project might be extended in order to help researchers to formalize nested narratives.Working Paper Faulty devices and reluctant institutions: a French pragmatist approach to Down Beat’s critics’ poll(2013) CHARLES KIRSCHBAUMWorking Paper How do Outsider Styles Become Legitimated? The Introduction of Bossa Nova in the Jazz Field(2012) CHARLES KIRSCHBAUMThis paper explores the emergence and enactment of new musical styles from the perspective of critics. As the field absorbs a new style, the critics assess whether it belongs or not to the established tradition. In parallel, as musicians produce art works following the new style, critics classify and rate them. This signaling activity helps us to understand how the legitimacy process takes place vis-à-vis the production of new records. For that purpose, we explore the introduction of Bossa Nova in the Jazz field. Our results show that as this process evolved, records that combined Bossa Nova elements with Jazz were more likely to penetrate the core of the community. Conversely, musicians who played pure Bossa Nova were kept in the periphery. Finally, the assessment of “what is Bossa Nova” moved back and forth from positive statements (BN “is” Brazilian Music, inter alia) to negative statements (e.g. BN “is not” Jazz, inter alia). This swing between positive and negative statements accompanied distinctive inflection points in the institutionalization of Bossa Nova.Working Paper Fields and Social Networks: Comparable Metaphors of Social Space?(2012) CHARLES KIRSCHBAUMBourdieu’s Field and the American Sociology’s Network concepts have been considered incompatible from an ontological and epistemological point of view. While the former stresses the one’s position in a social space based on volumes and types of capital and exercise of symbolic power, the latter assumes an individualistic approach, taking the number of controlled ties as a proxy of capital, and power dimension would be underscored. Harrison White is among the sociologists who harshly criticize the latter approach, for its emphasis on individuals. White recovers the idea of ‘social space’, deemphasizing the hegemonic methodological individualism in social network analysis. This article seeks to compare Bourdieu’s and Harrison White’s theories, showing the elements that are irreducible to each other, as well as some common intuitions. Rather than offering a synthesis of these theories, I propose that they are complementary in understanding the dynamics of a social space. Bourdieu’s capital-based Field construct leads us closer to explain one’s interests in connection to her actions. White’s focus on ambiguous action within social networks is relevant to understand how actors uncouple recurrent patterns of social reproduction. Finally, I recover empirical examples where it is possible to combine both approachesWorking Paper Co-Authorship Recognition Antecedents: the Brazilian research community case(2012) CHARLES KIRSCHBAUM; Mascarenhas, André; Zambaldi, Felipe; Strehlau, SuzaneThe present paper explores the antecedents of co-authorship recognition in the Brazilian community of business administration research. Confronted with schematic vignettes encompassing varying levels of ambiguous and power-asymmetric situations, respondents exposed their positioning vis-à-vis co-authorship. Respondents identified the Brazilian community as favoring extrinsic exchanges (i.e., recognition is granted independently from effort invested in the research itself) even at situations where there was neither ambiguity that low effort was invested by the benefitting parties, nor power-asymmetric relationships. In contrast, individuals’ beliefs leaned towards intrinsic exchanges, with mixed results at low-ambiguity and high power asymmetric relations.Working Paper Jazz Field Evolution, 1930-1969: from Centralized to Decentralized Field(2010) CHARLES KIRSCHBAUMWorking Paper Institutional logics and tie formation: jazz field, 1930-1969(2007) CHARLES KIRSCHBAUMWorking Paper Cognitive landscapes in São Paulo’s rap(2007) CHARLES KIRSCHBAUMWorking Paper Playing along and away: nested careers and the co-evolution of jazz musicians from 1930 to 1969(2005) CHARLES KIRSCHBAUMWorking Paper Career Dynamics in Normative and Competitive Fields: The American Jazz’s Case(2005) CHARLES KIRSCHBAUM; Vasconcelos, Flávio Carvalho de